Women in the victorian times in cassandra by florence nightingale

Women in the victorian times in cassandra by florence nightingale

Not conversation upon books, if her husband happens to be a fox-hunter; nor upon fox-hunting, if he is a book-worm: but exactly that kind of conversation which is best adapted to his tastes and habits, yet at the same time capable of leading him a little out of both into a wider field of observation, and subjects he may never have derived amusement from before, simply from the fact of their never having been presented to his notice. London: Constable. Michelakis, E. However, Nightingale's new status as an internationally famous real-life heroine, several years later, drastically altered the form in which Cassandra could be offered to the public. The mysteriously exotic setting of the novel version, with its accent on phantoms and enchantment, are a by-product of the world of dreaming - once described by Nightingale as "like gin-drinking" - which provided the younger Florence with an important escape from the humdrum concerns of family routine. Bookmark the permalink. But, unexpectedly, the removal of the fictional devices served only to emphasise the autobiographical origins of the piece. In Goudot — A Bibliographical Survey. Selected Letters. Thus, one must read her many works on religion, the hospitals and the health system of the Empire in that context. In her essay, Fuller refers to Cassandra thus: Women are, indeed, the easy victims both of priest-craft and self-delusion; but this would not be, if the intellect was developed in proportion to the other powers.

As the claims for equal rights of the poorer classes were sweeping through the late decades of the centuryknowledge and independence of mind became a menace to the foundations of the patriarchal order.

Did you find something inaccurate, misleading, abusive, or otherwise problematic in this essay example? They are "never supposed to have any occupation of sufficient importance not to be interrupted", and so fritter away their days in looking at prints, doing worsted work, reading out loud, and taking drives in the carriage.

cassandra florence nightingale summary

A few women relatives and friends whose intellectual interests did not fit in the traditional feminine mould of the time responded sympathetically to her aspirations; but these were only rare exceptions.

This article seeks to analyse the new concepts of womanhood and femininity that Florence Nightingale depicts in her essay entitled Cassandra within the context of the reception of this classical figure.

Mill, G. The Collected Works of Florence Nightingale.

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Stephen, H. Woman and the demon; the Life of a Victorian Myth.

Florence nightingale and queen victoria

Jenkins, R. English Translations from the Greek. As a victim aware of the social constraints that Victorian women had to tackle in their development as independent citizens, Nightingale fought for further education, for a life outside marriage and for the establishment of midwifery as a respected profession. Meredith, G. The social critique presented in Cassandra involves, fundamentally, the role of women in Victorian England. Kingsley, J. There is not a night that I do not lie down in my bed, wishing I may live no more. Rossetti configurando una Cassandra prerrafaelita. The Flesh Made Word. Cassandra reveals her feelings of the treatment of Victorian women at that time and the impetus for her achievements. Agamemnon and Cassandra; or, the Prophet and Loss of Troy, a dramatic burlesque written by Robert Reece in , for example, is based on the Agamemnon of Aeschylus. Albany: State University of New York.

Prophets and Sages in Early Victorian England The configuration of the prophet throughout the first half of the nineteenth century is clearly marked by the works of the sage writers; in particular by Thomas Carlyle, whose reflections on the hero collected in the lectures given in and printed one year later in On Heroes, Hero-Worship, and the Heroic in History represent a landmark in the thought of the age.

In the excerpt above, the narrator uses religion to support her main thesis. Both the text and the illustration of the chronicle draw attention to a particular anecdote that relates with amusement how a young couple was exposed to their futurity.

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There is not a night that I do not lie down in my bed, wishing I may live no more. Share via Email The manuscript, in its firm, clear hand, twists and weaves a path around a large proportion of passages that are heavily scored through and cancelled.

Pamphlets and magazines like the Penny Pulpit were also at the service of the ideas spread in these public lectures, which is an important issue to bear in mind when it comes to dealing with the transmission of the figure of Cassandra. In the manuscript of the original novel, however, the tragic heroine Nofriani, who represents Nightingale's own situation as a woman suffering through a life of confinement and enforced idleness, rhetorically renames herself after the doomed prophetess: "Oh! Newman and Walter Pater were the greatest exponents of Victorian sage writing,6 which was, according to Landow, an essayistic narrative which signalled some contemporary phenomena, interpreted them showing the evils of straying from the path of virtue, and predicted the disasters to come if no measures were taken to improve the situation Landow At home, their father was in charge of their education in Greek, Latin, German, French, Italian, history, grammar, composition and philology, while a governess was employed only for music and art. The third part of this Cassandra, edited by Snyder in , ends with the following sentences, which are not included in the final text: Oh! It's a slightly narrow view of the fight that all women were waging at the time. See Michie 12— The chronicle of the Greenwich Fair in , for example, published in the Illustrated London News 22 April —71 highlighted fortune-tellers and gipsies as some of the greatest attractions of the day. Strachey []: 7. Macintosh, F. He gave them moral activity.
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Florence Nightingale's Cassandra